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1. #COREL AFTERSHOT PRO 3 ADJUST CONTRAST LICENSE#
2. #COREL AFTERSHOT PRO 3 ADJUST CONTRAST FREE#
3. #COREL AFTERSHOT PRO 3 ADJUST CONTRAST MAC#

I’m used to being able to pull more detail out of highlight areas in my raw files. The Highlight recovery slider also seemed a bit anemic.

So you have to be careful with it as not to introduce unsightly artifacts. I was disappointed with the Sharpness slider, which appears quite basic, especially by current standards.

#COREL AFTERSHOT PRO 3 ADJUST CONTRAST LICENSE#

(I have a Noise Ninja license for Aperture, and AfterShot found it automatically and unlocked its advanced features.) But its basic use is included with AfterShot, and no roundtripping is required. The only downside to this is that you need a Noise Ninja license ($80) to access the more advanced controls. There’s just a single slider control in this tab, but there are more adjustments available if you click over to the Detail tab. For example, I would use Perfectly Clear on its own layer, and then tone it down using the opacity control.Īnother wonderful surprise is Noise Ninja integration. You can turn layers on and off, and adjust the opacity for each layer. They are very easy to use, and quite powerful. Click on the Open Layer Management icon in the upper right corner of the interface, and add non-destructive editing layers to your document. Personally, I like to tone it down a bit, but that’s easily done using layer control. Once you apply Perfectly Clear, you can adjust the effect to your own tastes using the other tools. The effect is often like wiping clean a dirty window. This would make it easier to select the specific images you want to edit.Ĭorel has included Perfectly Clear technology that automatically adjusts lighting at the pixel level. The improvement I would add to this approach is the ability to scale the thumbnails bigger when viewing them via the Open File command. AfterShot did, however, create XMP files with the editing instructions and added them to the same directory as the original raw files.Ĭombine this approach with a robust set of image editing tools, and AfterShot could prove handy for shooters on tight deadlines who need a lot flexibility in how they work. I edited the raw files, then saved them to a different location. I tried all of these scenarios, including accessing images on my Pogoplug drive, and it worked great. By using the Open File command, you can browse files on the memory card, connected hard drive, or even a network drive. Let’s say after a photo shoot you want to quickly deliver a few samples to the client, but don’t necessarily want to catalog the entire project. Where the AfterShot gets interesting is when you don’t really want to import the entire set of images, but rather choose a few, edit them, then save them out to another location. At this point you can manage the images in a similar manner that you would with other pro apps. Then you enable the Import Photos from Folder command to add them to an AfterShot catalog.

#COREL AFTERSHOT PRO 3 ADJUST CONTRAST MAC#

First, you copy to files from a memory card to your Mac or an external hard drive. If you want the same results with AfterShot, It requires two steps. Lightroom and Aperture, for example, provide a robust importing tool that streamlines the transfer process. IPhoto, Aperture, and Lightroom users who are used to working in a more structured environment. But it may feel cumbersome if you want to establish an efficient workflow for an entire shoot.

#COREL AFTERSHOT PRO 3 ADJUST CONTRAST FREE#

You are free to access your photos in existing folders, on a network or on a memory card.” This works well if you want to focus on a few specific photos. You don’t really import images into AfterShot instead, you point the application to where they reside.Ĭorel says that, “Unlike other workflow tools, AfterShot Pro does not force you to import your images into a catalog just to work with them. Even though AfterShot is not completely customizable, there are enough options to shape the interface to your preferences. A set of tabs run vertically down the outside edges so you can display different tools in the respective columns.